Travel is broadening, they say, and certainly when you change latitudes, you notice things like the quality of the light.  When I had the opportunity to visit Austin, TX last May for the Garden Bloggers’ Fling, one thing I noticed was how different gardens managed the light.

Typically harsh in summer, each garden had quiet spaces with deep overhangs, and cooling water features.  I loved how plants were chosen equally well for their structure and how their shadows played across nearby walls.

Solar Power, Literally

We began our visit with a soiree at the Austin Public Library.  Arriving late from the airport in my first Uber, I wheeled my suitcase right into appetizer time.  We all noisily trouped up to the rooftop to enjoy the view.  I liked how the solar panels generated energy as well as provided shade.

On top of the world …

 

Definitely not solar

Funnily enough, the next day we were met with a downpour.  The light reflected in the rivulets of rain.

Raindrops keep falling …

With Shadows in Mind

In only the most sophisticated of gardens, the shadows were as important as the plants themselves.  Here the dappled shade of the oaks filtered onto the seating area in Pam Penick’s garden; the string of silver balls dancing on the wall.

And again in the front of the house:

Dappled shade was integral at B. Jane’s garden.  Although I didn’t capture every seating area, I loved how you moved through light and shade in this garden, to suit your mood.

 

Shared Respite

Colleen Jameson cleverly gardened the median of her street, to create a shady walk for the neighbors.

As well as her styled, shaded front-porch for conversations with passers by.

 

Exotic Spaces

Tanglewild Gardens had numerous protected spaces to enjoy with mature trees and dividing walls.  Never underestimate the power of a good wall, upon which light and pattern play.

And enjoy a fine meal on the other side:

 

At the McClure Garden, mature trees shaded an outdoor dining space

Art selected for form and shadow

I enjoyed the shapes of artwork placed throughout the gardens, adding to the play of light in the garden.  At Tait Moring’s garden, dappled shade played across large concrete spheres.  I seriously have to learn how to make some of these.

And back to Pam’s house where the shadows were as important as the art:

 

I have a serious thing for spheres of all sizes …

 

But best of all,

The view from a cool atrium through to texture and form of the Burrus Garden.

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